After my father passed away three years ago, I returned to my homeland Greece and followed my mother’s behaviours as a believer seeking for shelter in the wider system of religious traditions and cultural beliefs in a society functioning on that basis. Photography transformed itself into a question of becoming through loss and made the passageway within a liminal space of absence and presence. As the project advanced and while inspired by the origins of ancient Greek laments, I dwelled within traditional communities of the last female professional mourners inhabiting the Mani peninsula of Greece looking for traces of bereavement and grief. My personal intention for realizing this project has been the impossible mourning of my father that is yet to come while making this body of work that contemplates around fabrications of grief in my culture and family. In a way, these images work as vehicles to mourn perished ideals of vitality, prosperity and belonging. By connecting my poignant grief with the dramatisations performed by the professional mourners, I look into the subjective spirituality of Greek death rituals. I am interested in how the image affirms things in their disappearance and gives us the power to use things in their absence through fiction. The photographs themselves lay between real and unreal allowing the viewer to believe in the real that is yet to come; another type of reality.